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[yea i died this week so i haven't gotten it yet either,]
We may continue to investigate then.
[ . . . ]
Though I have also decided to reconsider my previous statement - after developments, I do believe the bouquet I received to be from the departed.
I assume they will make further attempt to make communication shortly.
We may continue to investigate then.
[ . . . ]
Though I have also decided to reconsider my previous statement - after developments, I do believe the bouquet I received to be from the departed.
I assume they will make further attempt to make communication shortly.
[HE GAVE IT AWAY?]
No, he was not familiar with the flowers.... he attempted to give me his soda can, because he thought I was in danger for knowing that the departed were likely attempting to reach us.
I would not suppose you are familiar with the letter upon Rupert's key?
No, he was not familiar with the flowers.... he attempted to give me his soda can, because he thought I was in danger for knowing that the departed were likely attempting to reach us.
I would not suppose you are familiar with the letter upon Rupert's key?
[this is hilarious,]
I will mention it to my crane, so you might have but one more.
[HOW HAS CLOUD DONE THIS]
... but I understand well enough. It is difficult, when you wish to speak on matters pertaining to staff, but doing so directly might enter a concerning realm.
I will mention it to my crane, so you might have but one more.
[HOW HAS CLOUD DONE THIS]
... but I understand well enough. It is difficult, when you wish to speak on matters pertaining to staff, but doing so directly might enter a concerning realm.
... I'll take it. [ please help him. ] It's... the whole talking around subjects like that... I got used to having to do it in the Realm, but I don't like it. If you can be straightforward, it's easier.
[ cloud is so blunt and having to talk like this would be impossible if he hadn't been an npc ]
[ cloud is so blunt and having to talk like this would be impossible if he hadn't been an npc ]
A type of poetry. Five syllables for the first line, seven for the second, and then five once more.
[ . . . ]
At the very least, metaphor and theoretical prose can be effective to get messages across. The oddity of them stands out against common speech.
[ . . . ]
At the very least, metaphor and theoretical prose can be effective to get messages across. The oddity of them stands out against common speech.
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